Monday 28 November 2011

Critical Investigation


Critical Investigation
Title:
Do war video games such as Call of Duty sustain a low censorship level of blood, gore and violence to a young audience through marketing and why is this present?
Linked Production:
An advertisement which challenges Call of Duty’s low levels of censorship.
Who I’m working with:
Amar Tateri
Keywords:
  • Moral Panics
  • Post 9/11
  • Media
  • Ownership
  • Control
  • Regulation
  • Censorship
  • Media technology and the digital revolution
  • Globalisation
  • Semiotics
  • Structuralism and post-structuralism
  • Postmodernism and its critiques
  • Gender and ethnicity
  • Marxism and hegemony
  • Liberal Pluralism
  • Colonialism and Post-colonialism
  • Audience theories
  • Genre theories
M
I
G
R
A
I
N



S
H
E
P
THEORIES/ISSUES/DEBATES
Structuralism
Post structuralism 
Chomsky and Herman
Criticism of Marxism 
Stuart Hall
Political economy perspective
Cultural imperialism perspective 
Globalisation 
Stanley Cohen Moral Panics

Wednesday 9 November 2011

Critical Investigation Homework Due: Thursday 10th November 2011

How and why is violence so prevalent in modern videogames, and should audiences be better protected from it through censorship?

Level Four Criteria:


Level 4
(37-48 marks)


(1)A fluent and analytical investigation which explores the chosen topic from a clear, autonomous 
and critical perspective, (2)making use of extensive and wide-ranging research which has clearly 
been employed in the investigation and detailed in the bibliography,(3) making use of a wide range 
of academic, media and contextual sources. (4)The investigation demonstrates sophisticated 
research and engagement with the primary text(s) and a range of secondary texts. (5)It is well 
presented with a very detailed bibliography/source list (AO4).

Ex:

Violence has always been the ‘Devil’s advocate’ of new mediums of entertainment; all embryonic forms of media have had to weather criticism about their portrayal of violence, ranging from books (take for instance (4)The Lord of the Flies or The Colour Purpleboth frequently banned from American schools for their seemingly excessive violent content) to movies (The Texas Chainsaw Massacre 2 comes to mind, and was banned in Australia until 2006(2). It is interesting to note that the Australian government seem to have a certain penchant for banning media texts), lending credence to the notion that video games are merely experiencing the beginnings of their journey to respectability (and therefore are frequently the source of recent moral panics). It could be argued that games do not face criticism due to their violent content, but rather simply because they are games; countless (3)film-makers, artists and authors have tackled difficult subjects such as violence (among others such as sexuality and hatred) and have been critically acclaimed for these works because they dared to explore humanity’s dark side.(1) Due to this, one could make the argument that games should not be censored as they are simply under criticism with the same ‘knee-jerk’ attitude that has plagued mediums before now, mediums which have gone on to produce some of the most telling and intriguing narratives ever witnessed.

(5) Bibliography
Works Cited
Books:
Shaw, B. (1893). Mrs. Warren's Profession. Champaign, Ill.: Project Gutenberg.
Nielsen, S., Smith, J. H., & Tosca, S. P. (2008). Video Game Culture. Understanding video games: the essential introduction (p. 138). New York: Routledge.
Newspapers and Magazines:
Marketing Violent Entertainment to Children: A Review of Self-Regulation and Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries, Appendix A - "A Review of Research on the Impact of Violence in Entertainment Media" (Sept. 2000)
Violent virtual video games and hostile thoughts. (2004, September 1). Journal of Broadcasting & Electronic Media, 1, 1.
Internet:
The Entertainment Software Association - Industry Facts. (n.d.). The Entertainment Software Association - Home Page.      Retrieved January 17, 2011, from http://www.theesa.com/facts/index
Benichou, P. (n.d.). » International Reviews Philippe Benichou Artist Blog. The Art of Philippe Benichou - Original Paintings - Limited Editions - Official Web Site. Retrieved January 24, 2011, from http://philippebenichou.com/blog/?page_id=150
Video Games and Violence - Art Carden - Mises Daily. (n.d.). Ludwig von Mises Institute - Homepage. Retrieved January 31, 2011, from http://mises.org/daily/3528
Moving-image texts:
Kubrick, S. (Director). (1987).Full Metal Jacket [Motion picture]. U.S.A.: Warner Home Video.
Bulletstorm Trailer (Epic Games, 2010, USA)

(1)The investigation demonstrates sophisticated knowledge and understanding of media 
concepts, contexts and critical debates relevant to the chosen area of investigation. (2)The work 
contextualises the study and the linked production piece effectively within the contemporary 
media landscape (AO1).


Ex: 

(1)However, the question remains as to why violence is so prevalent in the gaming medium and more importantly what effect it has on the players that are exposed to it. With regards to its overwhelming frequency in games, we must acknowledge that “violence has been a subject in literature and the arts since the beginning of human civilization.” One could argue that as humans we are intrigued by violence, and it is probable that this fascination “satisfies some basic human needs. The adrenalin rush, the satisfactions of imagination, fantasy, and vicarious adventure, probably explain why millions of nonviolent people enjoy violent entertainment.”In this sense, one could argue that violent games may actually serve to be therapeutic as they provide an outlet for this carnal violent intrigue we all seem to possess. (2)Furthermore, regarding the impact this violence has, it is said that “because the mass media presents violence in so many different ways (news, sports, action movies, cartoons, horror movies, documentaries, war stories with pacifist themes), it is particularly difficult to generalize about its impact. Even social scientists who believe that violent entertainment has adverse effects don't agree on what kinds of violent images or ideas are harmful.” This is evidence that the zeitgest has advanced and the intellectuals of present have taken a more open and accepting stance on violence in media texts.


Thursday 3 November 2011

Gadaffi's death

Ian Tomlinson's death



The Guardian obtained this footage of Ian Tomlinson at a G20 protest in London, shortly before he died. It shows Tomlinson, who was not part of the demonstration, being struck from behind and pushed to the ground

Arab Spring

The bloodshed in Syria has continued despite an Arab League agreement to end the violence and remove tanks from the streets. Tanks were filmed shelling a civilian neighbourhood in the restive city of Homs within 12 hours of the agreement (see 9.56am). Activists said up to nine people were killed in the area.
Activists and opposition group have expressed anger at the ineffectiveness of the deal, but analysts said it was too early to say write it off already. President Assad's regime highlighted that the agreement involves stopping violence on both sides, suggesting it will continue to justify its violent crackdown as a defence against armed groups.

Gaza

Two Palestinians were killed in missile strikes from an Israeli helicopter gunship after gunfight on Israeli side of the border. Residents said the men were farmers; the Israeli Defence force said they were terrorists.
The Israeli navy said it would prevent two yachts carrying pro-Palestinian activists from breaking Israel's blockade of the Gaza Strip. "[We] will take whatever measures will be necessary," an Israeli official told Reuters.

Egypt

The blogger Alaa Abd El Fattah will remain in prison after an appeal against his 15-day detention failed, according to unconfirmed reports. There had been hopes that the prominent opposition figure would be freed. Later today, the newly formed Mina Daniel Movement, named after a young activist killed during last month's Maspero massacre, will hold its first march against the military council.

Libya

The prosecutor of the international war crimes tribunal said he will "impartially and independently" examine allegations of crimes committed by Nato and opposition forces during the fighting in Libya. At the same time, prosecutor Luis Moreno Ocampo said he is pursuing Gaddafi's son Saif al-Islam and the former military intelligence chief Abdullah al-Senussi, both of whom have been charged with alleged war crimes.






Monday 31 October 2011

The rise and rise of UGC

Is reality becoming more real? The rise and rise of UGC
Sara Mills explores the rise of the citizen journalist and considers the impact of user-generated content on news stories, the news agenda, and the role of the professionals.
Once, it was all quite simple…the big institutions created the news and broadcast it to a variously passive and receptive audience. Now new technologies mean that the audience are no longer passive receivers of news. The audience have become ‘users’ and the users have become publishers. Audiences now create their own content. We are in the era of user generated content (UGC) where the old divide between institution and audience is being eroded.
Key to this change has been the development of new technologies such as video phones and the growth of the internet and user-dominated sites. Both who makes the news and what makes the news have been radically altered by this growth of media technologies and the rise of the ‘citizen journalist’.
We first felt the effects of the new technologies way back in 1991. Video cameras had become more common and more people could afford them…unfortunately for four Los Angeles police officers! Having caught Rodney King, an African-American, after a high speed chase, the officers surrounded him, tasered him and beat him with clubs. The event was filmed by an onlooker from his apartment window. The home-video footage made prime-time news and became an international media sensation, and a focus for complaints about police racism towards African-Americans. Four officers were charged with assault and use of excessive force, but in 1992 they were acquitted of the charges. This acquittal, in the face of the video footage which clearly showed the beatings, sparked huge civil unrest. There were six days of riots, 53 people died, and around 4000 people were injured. The costs of the damage, looting and clear-up came in at up to a billion dollars. If George Holliday hadn’t been looking out of his apartment window and made a grab for his video camera at the time Rodney King was apprehended, none of this would have happened. King’s beating would be just another hidden incident with no consequences. The film footage can be still be viewed. Try looking on YouTube under ‘What started the LA riots.’ But be warned – it makes for very uncomfortable viewing, and even today, it is easy to see why this minute and half of blurry, poor-quality film had such a huge impact.
This was one of the first examples of the news being generated by ‘ordinary people,’ now commonly known as ‘citizen journalists’, ‘grassroots journalists’, or even ‘accidental journalists’. As technology improved over the years, incidents of this kind have become more and more common. Millions of people have constant access to filming capability through their mobiles, and footage can be uploaded and rapidly distributed on the internet. The power to make and break news has moved beyond the traditional news institutions.
It is not only in providing footage for the news that citizen journalists have come to the forefront. UGC now plays a huge role in many aspects of the media. Most news organisations include formats for participation: message boards, chat rooms, Q&A, polls, have your says, and blogs with comments enabled. Social media sites are also built around UGC as seen in the four biggest social networking sites: Bebo, MySpace, YouTube and Facebook. People also turn to UGC sites to access news: Wikipedia news, Google news and YouTube score highly in terms of where people go to get their news.
The natural disaster of the Asian Tsunami on December 26th 2004 was another turning point for UGC. Much of the early footage of events was provided from citizen journalists, or ‘accidental journalists,’ providing on-the-spot witness accounts of events as they unfolded. Tourists who would otherwise have been happily filming holiday moments were suddenly recording one of the worst natural disasters in recent times. In addition, in the days after the disaster, social networking sites provided witness accounts for a world-wide audience, helped survivors and family members get in touch and acted as a forum all those involved to share their experiences.
A second terrible event, the London bombings on July 5th 2005, provided another opportunity for citizen journalists to influence the mainstream news agenda. No one was closer to events than those caught up in the bombings, and the footage they provided from their mobile phones was raw and uncompromising. This first-hand view, rather than professionally shot footage from behind police lines, is often more hard-hitting and emotive. An audience used to relatively unmediated reality through the prevalence of reality TV can now see similarly unmediated footage on the news.
The desire for everyone to tell their own story and have their own moment of fame may explain the huge popularity of Facebook, MySpace and other such sites. It also had a more negative outcome in the package of writings, photos and video footage that 23-year-old Seung-Hui Cho, an undergraduate at Virginia Tech, mailed into NBC News. Between his first attack, when he shot two people, he sent the package from a local post office, before going on to kill a further 30 people. In his so-called ‘manifesto’ Cho showed his paranoia and obsession, likening himself to Jesus Christ. The reporting of the terrible events at Virginia Tech that day was also affected by citizen journalism, and the footage that student Jamal Albarghouti shot on his mobile phone video camera. Rather than concentrate on saving his own life, he recorded events from his position lying on the ground near the firing. The footage, available on YouTube and CNN brought events home to a worldwide audience. We now expect passers by, witnesses, or even victims, to whip out their camera phones and record events, an instinct almost as powerful as that to save their own or others’ lives. Perhaps the news now seems old-fashioned and somehow staged if it lacks the raw, grainy low-quality footage provided by citizen journalists.
Twitter and flickr came to the forefront during the Mumbai bombings in India in late November 2008. As bombs exploded across the city, the world’s media got up-to date with events through reports on Twitter and Flickr. There were questions raised, however, that by broadcasting their tweets, people may have been putting their own and others’ lives at risk.
It was on Twitter again that the story of the Hudson River plane crash on January 15th 2009 was broken to the world. With a dramatic picture of a plane half sinking in the river, and passengers crowded on the wing awaiting rescue Janis Krun tweeted:
There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy.
The picture is still available on Twitpic, under ‘Janis Krun’s tweet.’ While national news organisations quickly swung into action, it was the citizen journalist, empowered by social networking sites, that first broke the story.
So who’s keeping the gate?
Are the gatekeepers still fulfilling their old function of deciding what is and isn’t news, and what will and won’t be broadcast? In some ways, yes. You can send in as much UGC to the major news organisations as you want, with no guarantee that any of it will ever be aired. In fact, last year a BBC spokesperson reported that a large proportion of photos sent in to the news unit were of kittens. While this may represent the interest of the audience, or users, it still doesn’t turn the fact that your kitten is really cute into ‘news.’
The way around the gatekeepers is with the independent media on the web. The blogosphere, for example, provides an opportunity for independent, often minority and niche views and news to reach a wide audience. In fact uniting disparate people in ‘micro-communities’ is one of the web’s greatest abilities. How else would all those ice fans communicate without the ‘Ice Chewers Bulletin Board?’ And the only place for those who like to see pictures of dogs in bee costumes is, of course, ‘Beedogs.com: the premier online repository for pictures of dogs in bee costumes.’
On a more serious note, the change in the landscape of the news means that groups who had little access to self-representation before, such as youth groups, low income groups, and various minority groups may, through citizen journalism, begin to find that they too have a voice.
What about the professionals?
Do journalists fear for their jobs now everyone is producing content? It is likely that in future there will be fewer and fewer permanent trained staff at news organisations, leaving a smaller core staff who will manage and process UGC from citizen journalists, sometimes known as ‘crowd sourcing.’ Some believe that the mediators and moderators might eventually disappear too, leaving a world where the media is, finally, unmediated. This does raise concerns however. Without moderation sites could be overrun by bigots or fools, by those who shout loudest, and those who have little else to do but make posts The risk of being dominated by defamatory or racist or other hate-fuelled content raises questions about unmoderated content: ‘free speech’ is great as long as you agree with what everybody is saying!
If there will be fewer jobs for trained journalists, will there also be less profit for the big institutions? This seems unlikely. Although how to ‘monetarise’ UGC – how to make money for both the generator and the host of the content – is still being debated, bigger institutions have been buying up social networking sites for the last few years. Rather than launch their own challenge, they simply buy the site. Flickr is now owned by Yahoo!, YouTube was bought by Google, Microsoft invested in Facebook, and News Corp., owned by Murdoch, bought MySpace.
There is a whole new world out there. With it comes new responsibility. There is enormous potential to expand our view of the world and our understanding of what is happening. Our collective knowledge, and wisdom, should grow. On the other hand, in twenty years time, the news could be overrun by pictures of people’s kittens and a few bigots shouting across message boards at each other.
Sara Mills teaches Media Studies at Helston Community College, Cornwall, and is an AQA examiner.
This article first appeared in MediaMagazine 30, December 2009.





Is reality becoming more real? The rise and rise of UGC
Sara Mills explores the rise of the citizen journalist and considers the impact of user-generated content on news stories, the news agenda, and the role of the professionals.
Once, it was all quite simple…the big institutions created the news and broadcast it to a variously passive and receptive audience. Now new technologies mean that the audience are no longer passive receivers of news. The audience have become ‘users’ and the users have become publishers. Audiences now create their own content. We are in the era of user generated content (UGC) where the old divide between institution and audience is being eroded.
Key to this change has been the development of new technologies such as video phones and the growth of the internet and user-dominated sites. Both who makes the news and what makes the news have been radically altered by this growth of media technologies and the rise of the ‘citizen journalist’.
We first felt the effects of the new technologies way back in 1991. Video cameras had become more common and more people could afford them…unfortunately for four Los Angeles police officers! Having caught Rodney King, an African-American, after a high speed chase, the officers surrounded him, tasered him and beat him with clubs. The event was filmed by an onlooker from his apartment window. The home-video footage made prime-time news and became an international media sensation, and a focus for complaints about police racism towards African-Americans. Four officers were charged with assault and use of excessive force, but in 1992 they were acquitted of the charges. This acquittal, in the face of the video footage which clearly showed the beatings, sparked huge civil unrest. There were six days of riots, 53 people died, and around 4000 people were injured. The costs of the damage, looting and clear-up came in at up to a billion dollars. If George Holliday hadn’t been looking out of his apartment window and made a grab for his video camera at the time Rodney King was apprehended, none of this would have happened. King’s beating would be just another hidden incident with no consequences. The film footage can be still be viewed. Try looking on YouTube under ‘What started the LA riots.’ But be warned – it makes for very uncomfortable viewing, and even today, it is easy to see why this minute and half of blurry, poor-quality film had such a huge impact.
This was one of the first examples of the news being generated by ‘ordinary people,’ now commonly known as ‘citizen journalists’, ‘grassroots journalists’, or even ‘accidental journalists’. As technology improved over the years, incidents of this kind have become more and more common. Millions of people have constant access to filming capability through their mobiles, and footage can be uploaded and rapidly distributed on the internet. The power to make and break news has moved beyond the traditional news institutions.
It is not only in providing footage for the news that citizen journalists have come to the forefront. UGC now plays a huge role in many aspects of the media. Most news organisations include formats for participation: message boards, chat rooms, Q&A, polls, have your says, and blogs with comments enabled. Social media sites are also built around UGC as seen in the four biggest social networking sites: Bebo, MySpace, YouTube and Facebook. People also turn to UGC sites to access news: Wikipedia news, Google news and YouTube score highly in terms of where people go to get their news.
The natural disaster of the Asian Tsunami on December 26th 2004 was another turning point for UGC. Much of the early footage of events was provided from citizen journalists, or ‘accidental journalists,’ providing on-the-spot witness accounts of events as they unfolded. Tourists who would otherwise have been happily filming holiday moments were suddenly recording one of the worst natural disasters in recent times. In addition, in the days after the disaster, social networking sites provided witness accounts for a world-wide audience, helped survivors and family members get in touch and acted as a forum all those involved to share their experiences.
A second terrible event, the London bombings on July 5th 2005, provided another opportunity for citizen journalists to influence the mainstream news agenda. No one was closer to events than those caught up in the bombings, and the footage they provided from their mobile phones was raw and uncompromising. This first-hand view, rather than professionally shot footage from behind police lines, is often more hard-hitting and emotive. An audience used to relatively unmediated reality through the prevalence of reality TV can now see similarly unmediated footage on the news.
The desire for everyone to tell their own story and have their own moment of fame may explain the huge popularity of Facebook, MySpace and other such sites. It also had a more negative outcome in the package of writings, photos and video footage that 23-year-old Seung-Hui Cho, an undergraduate at Virginia Tech, mailed into NBC News. Between his first attack, when he shot two people, he sent the package from a local post office, before going on to kill a further 30 people. In his so-called ‘manifesto’ Cho showed his paranoia and obsession, likening himself to Jesus Christ. The reporting of the terrible events at Virginia Tech that day was also affected by citizen journalism, and the footage that student Jamal Albarghouti shot on his mobile phone video camera. Rather than concentrate on saving his own life, he recorded events from his position lying on the ground near the firing. The footage, available on YouTube and CNN brought events home to a worldwide audience. We now expect passers by, witnesses, or even victims, to whip out their camera phones and record events, an instinct almost as powerful as that to save their own or others’ lives. Perhaps the news now seems old-fashioned and somehow staged if it lacks the raw, grainy low-quality footage provided by citizen journalists.
Twitter and flickr came to the forefront during the Mumbai bombings in India in late November 2008. As bombs exploded across the city, the world’s media got up-to date with events through reports on Twitter and Flickr. There were questions raised, however, that by broadcasting their tweets, people may have been putting their own and others’ lives at risk.
It was on Twitter again that the story of the Hudson River plane crash on January 15th 2009 was broken to the world. With a dramatic picture of a plane half sinking in the river, and passengers crowded on the wing awaiting rescue Janis Krun tweeted:
There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy.
The picture is still available on Twitpic, under ‘Janis Krun’s tweet.’ While national news organisations quickly swung into action, it was the citizen journalist, empowered by social networking sites, that first broke the story.
So who’s keeping the gate?
Are the gatekeepers still fulfilling their old function of deciding what is and isn’t news, and what will and won’t be broadcast? In some ways, yes. You can send in as much UGC to the major news organisations as you want, with no guarantee that any of it will ever be aired. In fact, last year a BBC spokesperson reported that a large proportion of photos sent in to the news unit were of kittens. While this may represent the interest of the audience, or users, it still doesn’t turn the fact that your kitten is really cute into ‘news.’
The way around the gatekeepers is with the independent media on the web. The blogosphere, for example, provides an opportunity for independent, often minority and niche views and news to reach a wide audience. In fact uniting disparate people in ‘micro-communities’ is one of the web’s greatest abilities. How else would all those ice fans communicate without the ‘Ice Chewers Bulletin Board?’ And the only place for those who like to see pictures of dogs in bee costumes is, of course, ‘Beedogs.com: the premier online repository for pictures of dogs in bee costumes.’
On a more serious note, the change in the landscape of the news means that groups who had little access to self-representation before, such as youth groups, low income groups, and various minority groups may, through citizen journalism, begin to find that they too have a voice.
What about the professionals?
Do journalists fear for their jobs now everyone is producing content? It is likely that in future there will be fewer and fewer permanent trained staff at news organisations, leaving a smaller core staff who will manage and process UGC from citizen journalists, sometimes known as ‘crowd sourcing.’ Some believe that the mediators and moderators might eventually disappear too, leaving a world where the media is, finally, unmediated. This does raise concerns however. Without moderation sites could be overrun by bigots or fools, by those who shout loudest, and those who have little else to do but make posts The risk of being dominated by defamatory or racist or other hate-fuelled content raises questions about unmoderated content: ‘free speech’ is great as long as you agree with what everybody is saying!
If there will be fewer jobs for trained journalists, will there also be less profit for the big institutions? This seems unlikely. Although how to ‘monetarise’ UGC – how to make money for both the generator and the host of the content – is still being debated, bigger institutions have been buying up social networking sites for the last few years. Rather than launch their own challenge, they simply buy the site. Flickr is now owned by Yahoo!, YouTube was bought by Google, Microsoft invested in Facebook, and News Corp., owned by Murdoch, bought MySpace.
There is a whole new world out there. With it comes new responsibility. There is enormous potential to expand our view of the world and our understanding of what is happening. Our collective knowledge, and wisdom, should grow. On the other hand, in twenty years time, the news could be overrun by pictures of people’s kittens and a few bigots shouting across message boards at each other.
Sara Mills teaches Media Studies at Helston Community College, Cornwall, and is an AQA examiner.
This article first appeared in MediaMagazine 30, December 2009.

What is meant by the term ‘citizen journalist’?
What was one of the first examples of news being generated by ‘ordinary people’?
List some of the formats for participation that are now offered by news organisations.
What is one of the main differences between professionally shot footage and that taken first-hand (UGC)?
What is a gatekeeper?
How has the role of a gatekeeper changed?
What is one of the primary concerns held by journalists over the rise of UGC?









Monday 3 October 2011

BBC NEWS ONLINE RESEARCH

BBC News Online is the website of BBC News, the division of the BBC responsible for newsgathering and production. The website is the most popularnews website in the United Kingdom and forms a major part of BBC Online (bbc.co.uk). The site records around 14 million unique users a week (around 60 to 70% of visitors are from the UK).
The website contains international news coverage, as well as British, entertainment, science, and political news. Many reports are accompanied by audio and video from the BBC's television and radio news services, while the latest TV and radio bulletins are also available to view or listen to on the site together with other current affairs programmes.
BBC News Online is closely linked to its sister department website, that of BBC Sport. Both sites follow similar layout and content options and respective journalists work alongside each other. Location information provided by users is also shared with the website of BBC Weather to provide local content.
The site was named best news website at the BAFTA Interactive Entertainment Awards every year from the website's creation until 2001 when the award category was withdrawn.


The website was launched in November 1997, headed by founding editor Mike Smartt. There had previously been a special website marking the 1995 Budget, the 1997 General Election, as well as the death of Princess Diana in 1997, but nothing on the scale of the launch of the main site itself.
The original design was created by a team, including Matt Jones, based on designs commissioned from consultancy Lambie-Nairn, and has been redesigned several times mainly to match the visual style of BBC News television bulletins and to exploit increases in readers' typical screen resolutions. A major overhaul in 2003, primarily by Paul Sissons and Maire Flynn, coincided with a relaunch of the BBC News Channel (then BBC News 24) and featured a wider page design.


BBC News on 11 September 2001
New features were gradually introduced, including the publicising of video content more prominently, and the introduction of live streaming of the BBC News channel.
In line with the introduction of new features across BBC Online, including a new navigation bar, the site was updated with wider centred page designs, larger images and more emphasis on audio and visual content.
Smartt was later succeeded by Pete Clifton who was subsequently promoted to Head of BBC News Interactive and replaced by the previous editor Steve Herrmann in 2005.
A restructuring of BBC News starting in 2007 saw the dissolution the separate BBC News Interactive department; the editorial and management departments joined the new multimedia newsroom along with television and radio news within BBC Television Centre; the development and site design teams are based in BBC White City, both in the White City area.
On 14 July 2010 the site was completely redesigned, with the vertical section headings moved to run horizontally near the top of the page. The new design, incorporating larger in-line videos within news articles and standardised font usage, was introduced as a first step to bringing the entire BBC website into line with its new style guidelines. It was met with mixed opinions; Stephen Fry stated his approval of the redesign, and the new design was praised for being "more attractive and graphically stronger". However, there was also criticism, with some stating that the use of white space was too widespread and led to the need for continuous and excessive scrolling.
There are two different editions of the site: a UK edition, which gives prominence to UK stories, and an International edition, which prioritises international news. All articles are archived indefinitely and can be retrieved via searching or by browsing the extensive Special Reports section, which contains collections of articles relating to major news stories. The previous seven days' top stories were formerly available through the Week at a Glance section of the website.
Internet users with IP addresses originating from the UK are served the UK edition, all others receive the World edition.
As well as pure news articles, the site also contains material to support BBC news, current affairs and factual programmes. The Magazine section contains features prompted by current news stories, as well as a number of regular items within the daily Magazine Monitor blog with various light-hearted sub-sections including 'Caption Competition', 'Reader's Letters', 'Punorama', quizzes and other humorous items.
BBC News Online has a small number of topic-specific columns written by BBC journalists. Examples include former education correspondent Mike Baker's Mike Baker Weekly column which still continues and technology commentator Bill Thompson's bill board (formerly bill blog). BBC News Online Science Writer Ivan Noble, diagnosed with a malignant brain tumour in August 2002, shared his experiences of cancer in Tumour Diary until his death on 31 January 2005.
The use of blogs has also grown with correspondents including Nick Robinson, Robert Peston, Mark Mardell, Justin Webb and Evan Davis, amongst others, making use of them to provide updates on the latest news events. The Editors' blog has also seen BBC News editors giving their reasons for editorial decisions, as well as defending criticisms of the BBC. Members of the public are given the opportunity to comment on entries
The launch of the BBC iPlayer, with the new Adobe Flash based BBC Embedded Media Player in July 2007 enabled BBC News and Sport Online to change the way it presented video content. Previously the site had delivered online video content using embedded RealPlayer video in pop-up windows branded as the BBC News Player. From March 2008 the BBC began to gradually introduce embedded video using the EMP into individual news articles and onto the front page. The news player also provides constant live streaming of the BBC News channel via the website. This had previously only been viewable in a separate window.


In addition to the standard website with embedded video and audio, there is an XHTML version optimised for users on mobile devices. Additionally the WAP version of the website is automatically updated with news, and a text-only version of the main news website can be accessed via the BBC Betsie service.
In March 2010 the BBC announced that the low graphics and PDA versions of the site would be discontinued. As of May 2010 these versions of the site are no longer available and redirect to the main and mobile websites respectively.
The site launched a set of semi-official RSS 0.91 syndication feeds in June 2003 and upgraded them to full feed RSS 2.0 in 2008. Each news index has its own RSS feed, including the in-depth sections.
The BBC began providing real-time global user information in June 2006.
Beginning on 30 April 2009, some published stories included in-text links, mostly to in-site profile articles on people, locations and organizations.
In 2004 the BBC News website partnered with Moreover Technologies, in a response to the 2003 Graf Report, to provide links from BBC articles to rival publishers. Whilst the BBC does not censor or change results the algorithms used tend to give greater weight to national and international sources over regional or local ones.
The BBC announced on 19 November 2009 that it was to pay more attention to SEO by extending news headlines.
The site is primarily funded by the television licence, paid by all UK households owning a television set, and used to carry no advertising. The World edition has received some subsidy from the UK'sForeign and Commonwealth Office through its grant-in-aid to the BBC World Service. This has led to complaints of unfair competition from commercial rivals. Others note that large numbers of international visitors enjoy the site at the expense of the UK public, leading to suggestions that foreign users be shown advertising or charged subscription fees when accessing the site.